One of Carlos Gardel greatest classic.
Described as a clearly popular style born in Buenos Aires suburbs, brothels and tenement houses, tango (meaning “a place for slaves to meet”) is intrincately embedded in its music and lyrics melancholic essence as well as in the sensuality and passion felt when dancing it.
At its early stages, which could arbitrarily be dated back to the middle of the XIX century, the main instruments played were the flute, the violin and the guitar.
With the strong waves of immigration taking place in the 1900, a new instrument known as bandonneon gained popularity, and it has definitely played a major role up until today.
Carlos Gardel, the “Zorzal Criollo”, was the musician who popularized tango as a song during the XX century´s first decades and it has certainly become a worlwide icon in this genre and a symbol of the Argentine culture.
Since the 40s, when local cultural industries have grown stronger, above all that of TV and radio, tango reached its golden age and since then it has been interpreted by composers and singers like Osvaldo Pugliese, Aníbal Troilo, Enrique Cadícamo, Tita Merello, Virgilio and Homero Expósito, Alberto Castillo, Enrique Santos Discépolo, Horacio Salgán and Homero Manzi, to mention just a few.
Roberto Goyeneche began his music carrer in the mid 50s. Nevertheless, he is still regarded as one of the most versatile tango composers and master of a unique tango style and phrase, which assign him a transversal place throughout the history of tango. He was reivindicated by all generations until his death in 1994. Moreover, the “Polaco” Goyeneche as he came to be known, sponsored the carrer of Adriana Varela, a talented singer currently standing as one of the 2X4 female voices
Tango went through a stage of transition between the 60s and the 70s, with Astor Piazola, who with his compositions and bandonneon, took it to the acme of musical frontiers together with other music styles like jazz. The most traditional tango style was interpreted by a group of singers such as the Sexteto Mayor, or by solo singers like Julio Sosa, Leopoldo Federico and Mariano Mores, whose music is still played nowadays.
Another tendency of contemporary tango development can be associated with the combination of this rhythm with other genres, as young musicians have revitalized tango by including other types of music such as electronic and rock.
Some of the projects reflecting the above mentioned combinations of music styles are the Gotan Project, Bajo Fondo Tango Club and Tanghetto.
Three events held in Buenos Aires have gained momentum in the international agenda: the Tango Championship, the Tango World Cup and the Tango Festival, which have attracted visitors from all over the world since the last decade.
Argentine tango, a passionate experience
A new multimedia special that goes through the typical Argentine tango dancing sites: the tangueria, the theater, the milonga, and the dance academy. It features photos, videos, audio, and all the information necessary to get acquainted with the 2x4.
Tango by 2
The two most important tango events of the year in Argentina will turn Buenos Aires into the world’s capital of Tango. A “can’t miss” opportunity which allows learning about this music genre and the latest tendencies will be given through concerts, open classes, an exciting competition and a great outdoor milonga (tango dancing event). These events will take place on August in Buenos Aires city.
A three-century journey
A special multimedia program is focused on the undisputed survival of Argentine music. Renowned composers, interpreters and dancers will be interviewed to voice their opinions on this issue.
The Characters of Tango
Carlos Gardel
There is not doubt he is the figure all over the world. The Zorzal made history and… he sings better everyday.
Enrique Santos Discépolo
There is no doubt that he was the poet of Tango. From Cambalache to Cafetín of Buenos Aires, his poems traveled across the world in the voice of the greatest Tango singers.
Anibal Troilo
Pichuco was the greatest bandoneon player of Buenos Aires. A legend and the best bandoneon player of Tango.
Roberto Goyeneche
His style, his voice and charisma made of the Polaco a synonym of Tango.
Osvaldo Pugliese
The great master is the predecessor of Piazzolla and Salgán, he was the first in applying the syncopation and the counterpoint.
Hugo del Carril
He was onw of the most impressive voices of Tango, presenter from his adolescence and he knew how to get the affection of everybody thanks to his charisma and happiness.
Francisco Canaro
Piricho is considered the founder of SADAIC and he was a symbol of all the musicians of the country. The Gadel’s voice immortalized several of his greatest creations.
Carlos Di Sarli
Nicknamed “El Señor del Tago” (The Lord of Tango), Di Sarli imposed his own mark and a musical profile which emphasize him among the different aspects of the 40’s decade.
Juan D'Arienzo
From its debut in radio el “Mundo”, D’Arienzo and his orchestra burst into all the tango levels becoming it in one of the most popular.
Cátulo Castillo
He is one of the greatest Tango poets, his lyrics capture that nostalgia that Tango has in every note.
Homero Expósito
Mimo, he knew how to mix in his lyrics the romanticism of Homero Manzi and the dramatism of Enrique Santos Discépolo… a perfect union of Tango.
Homero Manzi
He was the most romantic tango singer and he immortalized the corner of San Juan and Boedo of the City of Buenos Aires.
Ástor Piazzolla
The first revolutionary of Tango, he knew to understand what the music was asking about Buenos Aires.
Horacio Ferrer
The maddest singer Piantao of the Tango. He is a symbol of the new age of Tango and he is the songwriter of the greatest Ástor Piazzolla.